The Detroit duo Nicola Kuperus and Adam Lee Miller have played their first live show together 20years ago and set a mark in the electro / new wave / punk revival ever since. Their collaborative album Detroit House Guests with 12 featured artists from bands like Swans, Light Asylum and Nitzer Ebb resulted in an anthropological sound experiment full length and saw the daylight finally in spring 2017, after having the idea for the project in early 2000.
Alienata moved from a small city in south of Spain to Berlin 6 years ago and has made herself a name as an exquisite selector in and outside of Berlin since then. When behind the decks, Alienata is closely attuned to both internal and external influences and with ease sends her crowd on a trip of dark electro and raw techno, psicodelia and EBM out of their normal world. Just this year she started her own label Discos Atónicos with a simple leitmotif, which she breaths herself: passion for music. Be ready for esoteric experiments to the electro space dimension, the second release is already in the pipeline and will see the daylight in summer.
Annika Henderson is a musician, poet and artist who rose to fame as ANIKA with two highly acclaimed eponymous records (Recorded with Geo Barrow of Portishead and his band Beak>), and was touring the world. She is well known as a DJ too, hosts a radio program on Berlin Community Radio, is seen and heard in experimental cinema and collaborates with a variety of Berlin, London, or Mexico City based artists and musicians. For this, her only live solo show in Berlin this year, Anika will perform a special set, comprising of some new material, as well as familiar tracks from her debut album and components of her Mexico City-based project, Exploded View, redressed in unfamiliar clothing.
You can easily state that Michael Wollenhaupt aka Ancient Methods is the most brilliant industrial/techno producer now to date. Angry, punishing, oppressive industrial sounds with techno influences forces you to kick drums until the last drop of fluid rinsed out of your body. Industrial never has been sweeter.
Brigitte Enzler grew up with early New German Wave and the darker side of European New Wave. She has been actively involved in the New Wave scene since she was a teenager, if it was playing in a band, running a label or organising parties. Appearances of her are rare, we’re more than happy she chose Krake Festival for this special occurrence.
Techno is his style, the straight up kind! At the age of 17 Charlton began chasing the early rave parties which were happening all over the Netherlands. His love for electronic music turned into an obsession and he started DJing and it was around this time that Charlton rst came face to face with techno. Boosted by the Electronic Music Productions study he took at one of Holland’s best known music production colleges, he started putting his work together for his rst live PA. Charlton’s inventive style of producing tracks back then combined techno from “the old days” with his own dark o -beat rhythms. Adding nasty razor-sharp and hypnotizing acid basslines to this creating a truly unique ‘Charlton’ sound which had a great impact on Dutch techno scene.
DOT PRODUCT + RENATE KNAUP
This unique world premier Dot Product show, unites Bristol based experimental sound sculptors Adam Winchester and Christopher Jarman with legendary German Kraut Rock singer Renate Knaup of Amon Düül ii. The trio have come together to produce a visceral sound world that is as cathartic to the senses as it is unsettling to the nervous system. Expect brand new experimental material that resonates beyond the soundswaves of ambient, industrial, noise, and drone music. Improvisation, gesture, and an emphasis on human interaction and emotive response are at the forefront of the trio’s process. Amon Düül ii are widely regarded to be one of the founders of the Kraut Rock scene, and a seminal influence on it’s development. Renate’s experimental, far out radical vocals became a huge part of the bands avant-garde sound. With this new exciting collaboration, her beautifully haunting harmonies, off kilter utterances, and powerful poetic mantra’s combine with Dot Product’s mind bending sonics to create a seductive waltz of anchorless rhythms, textural drones, and emotional soundscapes.
Japanese avant-garde synth wave duo Group A have shocked most spectators in their early shows with non-stop waves of experimental noise, intensely emotional poetry reading and nude live-paintings. While their mixture of synth heavy minimal wave, avant noise, striking visuals and performance art still carries the very breath of early industrial pioneers such as Throbbing Gristle or Cabaret Voltaire, the duo has since evolved into a beast of its own.
KAMIKAZE SPACE PROGRAMM + GESO
KSP is a true sonic renegade, a genuine musical experimenter. Somewhere between a classic Musique Concrète and modern electronic approach, KSP’s music is made up of myriad samples and found sounds from real world situations, it lends the stuff a very real texture and aesthetic that links it to the here and now, the everyday, in a very real way.
Geso is the artistic name of visual artist Pablo Iglesias (Madrid 1977), an active creative mind involved in different art and design fields. From live visuals and art installations to graphic design and art direction as GeeOhDee or as art curator and publisher as Belio Magazine. His career started back in 1999 with the foundation of his publishing house and design studio in collaboration with his twin brother.
KSP and Geso join forces in order to create a unique audio-visual set up. And by joining forces it means bringing on a hand in hand live show that dig into the cultural spectrum they both share in audio and visual fields, could be old sci-fi references, could be harsh, industrial and geometrical textures, could be a trip inside your mind.
Luke Vibert is an artist not to be missed! He has produced various styles as he has different aliases and not to name the numbers of EP’s and albums he had released. From jungle to IDM and downtempo to techno, Luke is an excellent example that music doesn’t have boundaries.
Phurpa is a Russian musical collective and performance group, recording and playing authentic ritual music of Bon, the oldest Buddhist tradition from Tibet, using ritual instruments and special tantric singing technique. The trademark style of the band is based on a special type of tantric overtone singing/chanting, called gyukye, from Tibetan words ‘rgyud’ (tantra) and ‘skad’ (sound of the voice). This singing is based on the principle of practitioner’s transmogri cation during chanting meditation. This technique is achieved through an extensive training, including both meditation and physical, breathing and vocal exercises. Special training includes standing on your head while rehearsing and also drinking black tea with chili pepper and cream – hot pepper is irritating your vocal cords, so they are swelling up a little, while cream acts as a lubricant. Phurpa uses ritual Tibetan instruments to perform their music, which includes dungkar (horn made out of huge seashell), dungchen (three-metre-long horn/trumpet), damaru (drum, made out of human skulls), kangling (human thighbone trumpet) etc.
The London based producer Keith Tenniswood aka Radioactive known is best known for his bass warped take on electro. Informed just as much from Detroit’s pioneering aesthetic, Tenniswood takes a hefty load of influence from the UK sound that surrounds him.
New Album ‘Luxury Sky Garden’ takes in a wide range of influences, but always at the centre must be the rave.
Romance Disaster was founded by Berlin based Aga Wilk (former 77TM). The music is oscillating between EBM, techno, and dark electro, build from analogue gear and lush Synthesizers.
SHXCXCHCXSH + PEDRO MAIA
The Swedish duo released 3 full length albums in 3 years and has etched its unpronounceable name in the techno world as fast. Their music is composed with the soundscape and atmosphere that is meant to provide a deeper level of sonic connection, an unbound, rolling matrix of white noise & wrought iron percussion, replete with disembodied choirs that pan uncomfortably in and out of the sonic hinterland.
The Portuguese filmmaker Pedro Maia is working mostly around the concept of Analogue Cinema, exploring the medium potentiality, and expanding the aesthetic and technological “heritage” of the classic films procedures of working with 16mm and 8mm material.
SHXCXCHCXSH’s A/V in collaboration with the Pedro Maia, explores the analogue lm and aims to pay tribute to the celluloid lm – the main raw material used by cinema during its first century of existence – offering an exploration of both its qualities and limitations.
SØS GUNVER RYBERG + CYCLES
SØS Gunver Ryberg’s characteristic style is known for challenging your state of consciousness by transformative music experiences with insistent rhythms, combined with a meticulous exploration of textures and timbres. Raw sounds created from synthesis and processed eld recordings are framed by symphonic forms and create a unique expressivity.
Cycles are Adéla Kudlová, an audiovisual artist with a basic motive on the natural world and digital media, the virtual and our surroundings, and Tereza Bartůňková, a stage design artist, who spotlights between switching the feverish world of theatre and the more introverted eld of illustration with a focus on her own auteur productions and emphasis on the audiovisual part.
After their first collaboration which was commissioned by Lunchmeat Festival for last year’s edition, Adéla and Tereza have continued their collaborative work as Cycles.
For all the talk of resurgences and revivals of rugged underground techno, Sunil Sharpe is a perfect example of someone keeping the sound alive and current. Sunil Sharpe is a shining light in the resurgence of underground techno. Gaining an enviable reputation for his DJ sets in the early 00’s, he has set soon the start of an intensive involvement in the techno scene. Whilst being a uniquely talented DJ (and longtime DJ tutor at a thirdlevel college), Sunil also produces various strains of techno that have appeared on labels symbolic of the genre’s rougher edge.
THESE HIDDEN HANDS
Formed in 2012, These Hidden Hands is an experimental electronic group consisting of Alain Paul and Tommy Four Seven. Both British born artists having settled in Berlin, they have pursued their own individual musical careers whilst simultaneously evolving the concept of These Hidden Hands to break out of the con nes and conventions of the club to forge distorted goth-ambient techno and boundary-pushing atmospheric electronic music.
We stare into the radiant light, and stumble blind and mad into the moonless night. We bow not our heads, nor do we ask for mercy. The world is agony. This is a journey of pain, ecstasy, and death. We do not seek companionship, because this prison of flesh is a solipsism. We straddle the balancing point between light and darkness, love and hate, life and death. We hide our countenance to reveal the hidden faces of the gods. Eternity is but an instant. Trepaneringsritualen, one of many nom de guerre of Thomas Martin Ekelund, has been active since 2008 and has performed countless live rituals across the world.